And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting. Ayo says he’s heard from viewers who felt Ryan brought a more emotional and meaningful presence to the world of BET than they had seen in the source material. Laura Afelskie is a Canadian actress who plays Runa in the live-action manga adaptation. No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.
Ayo Solanke’s Directorial Debut: “The Island” Short Film
The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules. Subtlety wasn’t a footnote—it was the whole page. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance.
At the heart of the story lies Yumeko Jabami, a compulsive gambler who dismantles the social order of Hyakkaou Private Academy, a school where students remain ranked according to their gambling prowess. The manga is famous worldwide due to its intense characters and unpredictable plot twists, thus being ripe for live-action adaptation. Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied.
Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
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- These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations.
- Yumeko becomes friends with Ryan (Ayo Solanke), who becomes a housepet after losing a round of cards to a council member named Mary (Eve Edwards).
- As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today.
- Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time.
- Solanke sidesteps that trap by playing Ryan with dissonance.
- Just a visual puzzle with enough thematic weight to demand more than one watch.
- Set in St. Dominic’s Boarding School for Girls, where gambling dictates the social hierarchy.
The reception of the show has shown that when it comes to adaptations, the balance between creative reinterpretation and respecting the culture of the original material becomes very important. Set in St. Dominic’s Boarding School for Girls, where gambling dictates the social hierarchy. Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles. Netflix’s newest teen drama, Bet, has entered the Top 10 charts in 32 countries in just one week.
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A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money. After staking his claim as one of the few fresh faces to make a teen drama feel dangerous again, he’s shifting gears. What’s next isn’t just a continuation—it’s escalation.
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Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.
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The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene.
- If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here.
- His tweets rarely break the internet, which is precisely the point.
- This betting company is currently managed in Nigeria by KC Gaming Networks Limited and run by some other shareholders of different nationalities.
- The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules.
- From the mixed reviews, it can be inferred that it is possible for the show to gather enough strength for some more seasons.
- She is an actress, entertainer, performer, and artist, who is best known for her role as Morgan in the television series A Million Little Things.
- Critics call him a “scene-stealer…a break‑out genius” aestetica.net.
- As a director and writer, he isn’t flexing genre tricks.
Looking Ahead: What’s Next for Ayo Solanke?
This would allow it to stand on its own for new viewers as well as longtime Kakegurui fans. Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun. Dramatic lighting and insane close-ups all throughout gambling scenes yield an atmosphere of heightened tension and suspense as the psychological stakes are being asserted. Bet is based on the acclaimed manga Kakegurui, created by Homura Kawamoto and Tōru Naomura. Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes. If you were searching for the owner of Bet9ja, we hope that your question has been answered by reading this post.
Behind the Scenes: Ayo Solanke’s Insights on Bet
And, hopefully, more scenes where Ryan doesn’t just react but reshapes the game. At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions. It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. There’s no mysticism in Solanke’s Lagos Nigeria chapter—just ordinary life. His earliest years, as he’s mentioned in interviews, were filled with extended family, unpredictable power cuts, and the occasional bootleg DVD of a Nollywood horror movie that left a permanent mark on his imagination.
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The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.
Ryan Sutherland as Suki
If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. The supporting cast do their jobs, too. These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations. There’s something almost too fitting about Solanke joining an A24 film.
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When the roles aren’t giving you what you want, you make your own. Enter The Island—a short film that isn’t looking for mainstream applause, but one that makes its own weather in the indie space. On camera, his scenes with co-star Yumeko tested his emotional depth. From dance‑floor ensembles to tense confrontations, Ayo found the heart of Ryan in personal stakes. “That moment where I pin Michael… Ryan is locked in. He’s ride or die for Yumiko” popcultureunplugged.com+2popcultureunplugged.com+2popcultureunplugged.podbean.com+2.
From the mixed reviews, it can be inferred that it is possible for the show to gather enough strength for some more seasons. Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness. Yumeko becomes friends with Ryan (Ayo Solanke), who becomes a housepet after losing a round of cards to a council member named Mary (Eve Edwards). She also meets Michael (Hunter Cardinal), who refuses to participate in the wagering madness and encourages Yumeko to do the same. But gambling is the very reason why Yumeko is there; in fact, right after she meets her new roommate, she bets her $10,000 that she’ll willingly switch beds by the end of the day.
- Subtlety wasn’t a footnote—it was the whole page.
- Read on for the full cast list, including where you’ve seen the stars before – from Star Trek to Workin’ Moms.
- What’s next isn’t just a continuation—it’s escalation.
- Which, in a digital landscape of overly managed personas, makes him far more watchable off-screen than most of his peers onscreen.
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There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps. He’s not jumping between roles—he’s maneuvering them. And that’s a very different kind of career strategy. His breakout role came as Ryan Adebayo in Netflix’s Bet, a high-stakes teen drama where Solanke not only survives but steals scenes. Critics call him a “scene-stealer…a break‑out genius” aestetica.net. Ryan isn’t the alpha or the anti‑hero, he’s the student caught in a rigged game, and Solanke brings him dignity and quiet resistance, giving emotional depth to a chaotic narrative aestetica.net.
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Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own. Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.
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That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen. Bold & Beautiful shows beauty, intelligence, lifestyles, successes, achievements, and remarkable feats that characterize Nigerians and Africans. Ayo hasn’t parked his ambition at acting. He’s developing a short film, Island, and aiming to direct and write his ayobet link own stories.
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And he does it without sounding defensive or rehearsed. Which, in a digital landscape of overly managed personas, makes him far more watchable off-screen than most of his peers onscreen. He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing. Not just musical timing, but emotional timing.
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From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory. They zigzag between prestige and pop, art-house and streaming spectacle. This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
The “Kakegurui” Connection: Adapting Manga to Live-Action
If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity.